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In a way, it’s an acquired taste, though more in line with falling within a certain demographic. There is certainly a question as to how Wolf Children can expect to be entertaining to all audiences, especially those looking for something other than sappy fluff. Still, sentimentally sweet can’t do much for those expecting a little more thrill.
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It’s a subtle, but sweet detail that’s placed within a blanket of sweet details that the film cherishes like a hidden treasure. Perhaps out of bias, being the oldest of five siblings, it astounds me how one day I look to my siblings and wonder when they became taller than me. While the use of timeskips is a popular method of moving things along, Wolf Children ‘s sense of time reflects something more than “moving the plot forward.” Not only does it feel natural in the sense of the setting, it also shows just how quickly kids grow up. Not only does each scene receive as much length as it requires, but the effort put into adding details to symbolize things to come and things to consider should one be in that situation aids in the film’s sense of individuality. Pacing is a wonderful thing if done correctly.
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Excuse for a moment the furry phenomenon, how often do anime focus on being a mother? Typically the kids are the stars, but with this perspective comes a fresh angle to focus the movie on, something the likes anime only hints at in various pictures. They could also say it’s the determination and spirit of a mother facing the challenges of being a mother-not just to humans, but to wolves. When one describes this movie, what do they say? They could say it’s about wolf children growing up with their mother after the untimely death of their father. However, it is because it does not rely so much on the animalistic qualities that make this film so pleasantly relatable. With all respect to the film, this is somewhat true, as without that added spice, there likely wouldn’t be as much significance added to the final scenes.
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Some could say that the only reason this film stands out as much as it does is because there’s wolf children, and wolf beings. Not often do I come across a film that simply does everything it needs to do and still flourishes in its own emotional gravity. Wolf Children, as its dubbed in English, has everything it could possibly need to be a masterpiece, and to some extent, it is. Miscellaneous thoughts become irrelevant. It’s almost quite literally a “blocking out” method that happens the moment I become invested. Reality may as well not exist, for my perception is locked in tune with the beat of the film’s weighty instrument. For me, it’s rather easy, as once the lights come on and the scenes begin to roll, it’s only the film and I. I forget everything I had previously heard about the film and watch it as if I know nothing about it. With these kinds of expectations surrounding the film, how could I, with as rebelliously contrarian as I can be, expect to watch this without any sort of expectations? Simple: I forget the buzz. Many have compared this to works by Hayao Miyazaki, which is already setting the bar fairly high.
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Jokes aside, there has been an enormous amount of positive press surrounding this film since its release in 2012. Quick disclaimer: Not a film for grieving mothers.