I was so lucky to hear Hajimemashite, Draconian, Miss Tinkle's Overture to expand my familiarity with UM's songs. I've been listening to it constantly and am more impressed with it every day. I later found out that I could actually buy the concert. The thing that made the concert was when they played Ocean Billy, my favorite UM song in the second set.
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The music was awesome, although I only recognized 7 of the 17 songs. Got there early and was almost in the front row.
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So I'm a mature fan of 65 and I really wanted to see them in concert, so I bought my brother-in-law a ticket so he'd go to the show with me.
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So I started watching and listening to them on Music-You Tube and bought a couple of albums on iTunes. Got into them after seeing the Soundstage video on AXS TV. PS - releasing all four nights of this run would be a pretty swell idea. The "No Repeats No Covers ter" (in the parlance of the times) was not announced (never even officially acknowledged in any way that I'm aware of), the "cover band" slander was well known to fans, and by the end of this night in Minneapolis the opening notes of every original song became an FU to anyone who failed to consider that perhaps the real Revolution was the one we made whilst gettin' in the van.Īside from what the other reviewer mentioned, also check out Kabump (here or any other show where it appears). You might be a little disappointed to scan the setlist and find no mention of the bloused one, but something greater began the night prior 2/8 and lasted through 2/11 - all Umphrey's original tunes without a single repeat, seemingly in response to the criticism they were a glorified cover band lacking a deep catalog. Guitarist Wendy Melvoin's first performance with Prince was right here at First Avenue in the city where The Revolution began. It's no coincidence that I'm writing this immediately after watching the incredible Prince and the Revolution Live '85 limited-time stream on Youtube for a COVID-19 fundraiser. There is a nice synth led groove by Joel in the jam with Brendan teasing the Triple Wide before transitioning into GYMRH out of nowhere.Ī fun show to listen to. Reintroduced into their live shows at the end of 2007, Wappy Sprayberry keeps the dance groove going. The dub Breathe gets spacey and gets the crowd lifted off into another galaxy. More weirdness ensues, one of the women attempts a striptease and then Wade comes out from backstage and carries her off.įinally, the music resumes. The band then starts a generic funk groove while some scantily dressed women join Tony. The energy in the room changed instantly with some of the audience laughing along, others booing and the rest just in disbelief. Instead of a jam out of Bridgeless, Joel introduces Tony Clifton, who then comes out and roasts the band and the crowd. I thought that was strange, but didn’t think much of it. During the first set, I noticed someone dressed up as Andy Kaufman’s Tony Clifton character. Ringo and Higgins both have extended jams that deliver. This is the only time I have seen Pay the Snucka broken up into three separate parts, since Pt.
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The opening Jazz Odyssey starts off with a cool e-drum patch by Meyers, then picking up speed with a cool transition into Tinkle’s, which has a bouncy jam section that is reminiscent of The Police. Late night Jazz Fest show, with Stevie Wonder performing earlier in the evening at the Fair Grounds.
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This is the strangest Umphrey’s McGee show I have attended.